However, you will need to decide for yourself whether it is worth paying extra for VR and ending up with a larger and heavier lens in your camera bag. The biggest loss would be vibration reduction / image stabilization, which can be very useful when shooting in low-light conditions. The older Nikon 24-70mm f/2.8G is smaller, lighter and significantly cheaper than its newer brother, which is why I would personally just go with it. The main reason is center sharpness – while Nikon did make the new 24-70mm f/2.8E VR overall sharper compared to its predecessor, it was done at the expense of losing center sharpness, as I explained in detail in my Nikon 24-70mm f/2.8E VR review. While Nikon has already updated its 24-70mm with the latest generation 24-70mm f/2.8E VR, my recommendation would be to stick with the older Nikon 24-70mm f/2.8G lens for wedding photography. However, they are versatile and useful, especially for those who do not want to keep switching lenses. They are not great for portraiture either due to their f/2.8 maximum aperture, even at the longest end of the focal length range. My personal gripe with 24-70mm f/2.8 lenses is that they are bulky, heavy and they are not particularly great when shooting in low-light conditions (an f/1.8 prime is over a stop faster in comparison). Having done this myself a number of times, I can see the appeal of using a 24-70mm + 70-200mm lens combo, as it would cover most of the needs. In fact, some wedding photographers prefer to just go with a single zoom lens for wide to telephoto range, as well as a telephoto lens like the 70-200mm to go with another camera body. NIKON D750 + 20mm f/1., 1/80, f/5.6įor more information about this lens, check out my detailed Nikon 20mm f/1.8G review.Ī 24-70mm f/2.8 zoom lens can be a versatile choice for wedding photography, particularly if you want to skip bringing multiple prime lenses with you (such as 24mm, 35mm and 50mm). I used to favor the 24mm f/1.4G before, but ever since the 20mm f/1.8G came out, those extra 4mm have proven to be very useful, particularly when photographing interior architecture (such as ballrooms, dining halls, etc) and large groups. Among a number of different wide-angle lens options available, I personally find the 20mm f/1.8G to be the best choice for wedding photography. When photographing weddings, I personally find quite a bit of use for wide-angle lenses. There might be other cases where using a wide-angle lens is going to be required to be able to fully reveal the scene / location in which the newlyweds, or perhaps a group of people are located: NIKON D750 + 20mm f/1.8 ISO 200, 1/60, f/5.6 For example, if you want to showcase the bride in her surroundings, you can do that with a wide-angle lens: NIKON D750 + 20mm f/1.8 ISO 720, 1/40, f/5.6 However, that’s not how one should use these lenses in the first place! Wide-angle lenses are very useful in wedding photography. It is true that wide-angle lenses distort subjects at close distances and I would certainly avoid using such lenses for close-up portraiture. It is small, lightweight and at $800, it is a fairly inexpensive lens when compared to other pro-grade prime and zoom lenses. Although there are plenty of great wide-angle lens options out there, I personally find the Nikon 20mm f/1.8G to be the ideal choice. When photographing weddings, it is important to bring a wide-angle lens with you, so that you can capture your subjects in tighter environments (such as when photographing indoors, or when photographing large groups).
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